Lighting in Horror films

Low key Lighting

A form of lighting that is most commonly used in horror films for the effects it creates. The shadows created by the lighting follow the conventions of a horror film by distorting the subject on camera making them unfamiliar to the human eye, working with people’s fear of the unknown. It can also be used to create suspense if the audience sees the shadow before they see the physical body of the antagonist. It is possible to make the antagonist seem larger or smaller depending on the distance of the subject from the light and the intensity of the light. Lighting has the ability to control the atmosphere and how much the surroundings and subjects are revealed.

•  Light is used to create shadows and an eerie tone.

•              The use of three point lighting is present (key light, fill light, back light) 

•             Since the shadows are more noticeable when using low key lighting, the light will need to be  accurately placed every time the subject moves in order to be continuous if the type of shot is  changed. When using low key lighting on a shoot it can be a lot more time consuming. 

•            Most commonly used in the horror genre.

•             Lights are either set at eye level with the subject or low to the ground.
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•      Shadows are created by the use of reflectors 

The use of reflectors with lighting

Different reflectors

Gold: Produces a warm, yellowy glow. It is best avoided with studio lights since they are commonly balanced natural daylight and this creates a mixture of lighting.

Silver: Reflects a large amount of light. They are beneficial to use at a good distance if working on a set in doors or a studio or else the effect of the light is too harsh. You can use silver foil if on a low budget.

White: helps to balance the light and raise shadows. It creates a neutral, softer light if used in a studio. You can use a large piece of white card or a large white foam board if you have the money.

How backgrounds absorb light

A black background absorbs a great deal of light, since the light aimed at it doesn’t bounce back but depending on the intensity of the light it is still possible for a shadow to be cast.

A white background casts a clear shadow of the subject in front of the camera and sometimes the person in charge of the lighting. 

   Reflectors: